I went to a sale at Zart Art late last year and there was a man demonstrating using watercolour paints and black pen for an art activity in the classroom.
I remembered it recently and did the preliminary work. I had got out my watercolour crayons and just put some lines on paper and then swished some water around.
I experimented by wetting some areas of the paper and not others. The crayons just did fairly ordinary straight lines where the paper was wet. When I put the crayon on the dry paper, and then swished water around with a brush, the colours mixed nicely and the obvious pencil marks disappeared. But overall, the thing looked like a mess.
Unfortunately, I didn't take a photo.
Then, over the next few days, I did a little bit of doodling with a black pen. I went around the areas of different colours and intensity.
I quite like the result. I have no idea what to do with it now. I suppose I should treat it like the zen doodles, just let myself enjoy the process, not worry about the end product.
Showing posts with label Zart Art. Show all posts
Showing posts with label Zart Art. Show all posts
Saturday, February 16, 2013
Wednesday, November 7, 2012
Lino cutting part 3
The last part of the first lesson was to use a different substance for cutting into. I used Soft Cut carving block, which I got at Zart Art, one of my favourite shops! I learnt about it when I was teaching, it is a school supply shop that also sells to the public.
It was easier to cut into - I think. It is softer and thicker and does cut easily but it also moves a little more than the lino does. Each has its advantages I suppose.
It was suggested that we do a pattern that could be repeatedly stamped onto the fabric. I used a Charles Rennie Mackintosh design (that I had played with previously). I thought I had cut the carving block square but obviously I didn't, the last row of my printing did not match the rows above as I had changed the orientation of the block as I was printing.
As I get more experienced and confident, I might even try to utilise some of the knowledge I gained about how to design repeat blocks. I will need to be better at cutting than I am now as well as better at stamping, to get good repeats going. Something to aim for.
It was easier to cut into - I think. It is softer and thicker and does cut easily but it also moves a little more than the lino does. Each has its advantages I suppose.
It was suggested that we do a pattern that could be repeatedly stamped onto the fabric. I used a Charles Rennie Mackintosh design (that I had played with previously). I thought I had cut the carving block square but obviously I didn't, the last row of my printing did not match the rows above as I had changed the orientation of the block as I was printing.
As I get more experienced and confident, I might even try to utilise some of the knowledge I gained about how to design repeat blocks. I will need to be better at cutting than I am now as well as better at stamping, to get good repeats going. Something to aim for.
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